5-21

I am lying beside PW in a hotel room bed where I  read a book and watch television simultaneously. I look to tell PW she is beautiful. A group of elegantly dressed ladies appear on television dancing. Their dresses are classical and shimmery. An announcer mentions that they are “voguing” as I notice that they all have tails like animals. PW makes a comment to herself about her bra. She says it’s far too tight. She knows this will excite me.

The bicycle has incredible torque in its gears which make the ascent of hills very easy and its speed impressively fast. I am traveling so fast in fact that I am losing consciousness as I travel down a giant hill. There is no air, or I have been mistakenly drugged. As I see the bottom of the hill my vision becomes blocked. I am unsure if I have shut my eyes. I can only see shadows of trees on the inside of my eyelids. The afternoon summer sunlight is orange and warm. I feel my sense of balance wavering as the speed increases until I blackout.

The department store intercom is telling a story as the elderly sex therapist shuffles in a slow circle. The story is about the ways a man shows his love for a woman. It says that when a man walks astray, he can hold his woman’s hand and lead her or he can forget his love and walk away until he returns, thinking of her all the time.

5-23

All my friends and I are in the back of a pick-up truck where we are instructed to take the first part of the test. We do not know how many parts of the test there are. As the truck drives down a street we are supposed to record everything that passes by our view. Every garbage can, every doorway, every light in every window. The town is a sleepy one, and it is in the after-hours. I find considerable anxiety in writing down what I see because I cannot concentrate. My friends find it easy. My jottings are barely coherent to me, let alone the instructor, who was once a terrible science teacher of mine. After just one pass down the street, we are supposed to have a complete description. I look at my piece of paper to find it blank. I know I am going to fail.

5-26

Connecting the two rooms is a hallway where a tremendous brown horse runs back and forth uncontrollably. It is the largest animal I have ever seen and I am trapped in the hallway with it.

5-30

I am considering a sculpture of the Ninth Circle of Dante’s Hell with a jealous husband. We examine the small model of Satan and the underside of the platform in which it is half submerged. We try to figure the logic involved, after Satan consumes someone.

6-3

A group of us are in a house with white walls. KKR directs us to paintings in the back which are representations of cartoons. As we look at the large black and white paintings, we discover that the Mob is killing all the witnesses involved, and that each one of us must go our separate ways, or risk torture and capture.

I begin my life on the run alone and still free. After disembarking on a trail in the woods, I come upon a split level house high in the hills. Within the cellar of the house is an incredible assortment of caves, and hiding places. The cellar was molded out of blue molten rock formations. Unfortunately for me, the owners of the house have cemented up all the openings. Local teen-age kids, full of rebellion and destructive angst, have spray painted the cement with swears. I know the teen-agers are wise and right somehow. I decide to break out and climb out of the cellar window to get outside, but I am unable to fit through the white window frame, I break it off as I go through.

Outside on the patio, there is a vicious light colored watchdog waiting to attack me. It approaches snarling, and before it bites I throw the old window frame into it’s mouth, and it becomes distracted long enough so that I might escape. However, also on the patio, is the owner of the dog, and the sheriff caretaker of the house. He can only yell, “Mr.” in a sly condescending voice, before I am gone from the scene.

Hours pass and I have dozens of other adventures all ending in escape. I finally end up jumping off a cliff to see if I can land in evergreen treetops.

Years later I am standing outside of myself in a bachelor pad where my cohorts and I listen to various jazz albums. The good old jazz albums with the colorful covers, and the scratchy vinyl sounds. We discuss meanings, and interpretations from our past. We look at the covers as we listen to the selections.